Lifespan Of A Memory
Resting Eye Monument
Because I Was Standing
Things People Say
Jessa Carta is an omnidisciplinary artist and creative project consultant. She is compelled towards rhizomatic frameworks, pattern literacy and the healing power of ritual containers. Jessa is attuned to the ineffable wiggliness of nature and its harmonious systems/structures in equal measure.
Jessa’s work tracks the leading lines of value, identity and performativity and plays host and witness to the cycles of life <> death <> life present in our ecosystems and egosystems.
Jessa is a deep empath who opens herself to the collective unconscious and vows to give it expression. Her fierce belief in understanding and respecting authentic truths has led her down a path of seismic connections. What she creates has been described as possessing“a rare mythic perspective”, “assertions of feminine power” and Jessa herself has been referred to as “an underworld intermediary”.
Jessa is currently the prime mover of arts-based research project LAND LAND. Jessa is a founding member of the Seattle-based experimental collective LOVECITYLOVE - a diverse, accessible, and inclusive secular art church. Her education and research has included certifications as a natural builder, permaculturalist, breath worker and solidarity economist. These interests intersect to net a practice committed to the regenaissance.
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*Jessa’s patrilineal last name is Carter which means messenger, mail carrier or a person who carts goods. In a move towards fewer belongings and more
, less doing and more
, Carta replaces “the messenger” for the message itself from the Latin “paper” “map”.
Motion created to mark the release of
, an album composed and performed by
in London designed for their ambisonic sound system. Prose by